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IASPM UK & Ireland
IASPM UK & Ireland
Online Conference 19th May - 31st July 2020
  • Information
  • Registration
  • Closing Session: How Was It for You?
  • Conference Sessions
    • Session 1: Multiculturalism and Diaspora
    • Session 2: The Virtuoso and the Dilettante – Performing Popular Music
    • Session 3: Analysing Popular Music
    • Session 4: Anti-Establishment, Rebellion and Commerce
    • Session 5: Theme: Pedagogies of Popular Music Practice
    • Session 6: Theme: Identity and Theatricality
    • Session 7: Theme: Geographies of Popular Music and Transculturalism
    • Session 8: Theme: The Industrial and Financial Mechanisms of Popular Music
    • Session 9: Theme: Live Music
    • Session 10: Theme: Music and Technology
  • FAQ

Category: Session 9: Live Music

IVAN MOURAVIEV (UNIVERSITY OF BRISTOL, UK)

July 14, 2020 Ivan Mouraviev Leave a comment

Festivals, Mobility, Scenes: UK Bass Culture and the case of Outlook Festival Since at least the 1980s, ravers from London…

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Posted in: Session 9: Live Music

SAM MURRAY (MIDDLESEX UNIVERSITY, UK)

Sam Murray Leave a comment

BUILDING AN ECOLOGY FOR LIVE MUSIC IN GWLAD Y GAN (THE LAND OF SONG) Abstract In 2019 the Culture, Welsh…

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Posted in: Session 9: Live Music

KATHERINE REED (CALIFORNIA STATE UNIVERSITY FULLERTON, USA)

Katherine Reed Leave a comment

“KEEP YOUR ‘LECTRIC EYE ON ME, BABE”: BOWIE, VIDEO, AND THE DEVELOPING ROCK TOUR Abstract: In 1974, an ambitious tour…

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Posted in: Session 9: Live Music

VASILIKI SIRAKOULI (DEMOCRITUS UNIVERSITY OF THRACE, GREECE)

Vasiliki Sirakouli Leave a comment

HOW POPULAR IS JAZZ IN GREECE? A SUMMER JAZZ FESTIVAL IN ATHENS Abstract In the summer of 2018, the second…

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Posted in: Session 9: Live Music

NATHALIE WEIDHASE (BOURNEMOUTH UNIVERSITY, UK)

Nathalie Weidhase Leave a comment

‘CONTROLLED AND COMPLIANT’: THE AMY WINEHOUSE HOLOGRAM TOUR Abstract After the announcement of the Amy Winehouse hologram tour in October…

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Posted in: Session 9: Live Music

SERGIO PISFIL (UNIVERSIDAD PERUANA DE CIENCIAS APLICADAS, PERU)

Sergio Pisfil Leave a comment

SOUNDING LONDON: ROCK VENUES AS SITES FOR LIVE SOUND DEVELOPMENT Abstract The involvement of WEM (Watkins Electric Music) and band…

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Posted in: Session 9: Live Music

Birmingham and the (international) business of live music – A globalised local perspective

Patrycja Rozbicka 1 Comment

PANEL OF THREE PAPERS: ADAM BEHR (NEWCASTLE UNIVERSITY, UK), CRAIG HAMILTON (BIRMINGHAM CITY UNIVERSITY, UK), PATRYCJA ROZBICKA (ASTON UNIVERSITY, UK)…

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Posted in: Session 9: Live Music

ROSEMARY LUCY HILL AND MOLLY MEGSON (UNIVERSITY OF HUDDERSFIELD, UK)

Rosemary Hill Leave a comment

SAFER SPACES POLICIES IN GRASSROOTS MUSIC VENUES Abstract Increasing attention to the prevalence of sexual harassment at live music events…

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Posted in: Session 9: Live Music
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