21st July 2020

11:00 UK Time – Keynote: Samantha Bennett (Australian National University)

The Large-Scale Studio in 21st Century Recording Practice and Pedagogy: The Case of the ANU School of Music Recording Studios

18:00 UK Time – Book Launch: The Bloomsbury Handbook of Music Production

Andrew Bourbon (University of Huddersfield), Simon Zagorski-Thomas (University of West London) and other contributors

Paper Presentations

Papers ‘go live’ on Tuesday 21st July at 9:30 pm UK Time and until then will give an error message

TIM J. ANDERSON (OLD DOMINION UNIVERSITY, USA) (ABSTRACT)

LONGER PLAY: THE ELONGATION OF PLAY AND EXPERIENCE IN SOUND AND MUSIC RECORDINGS

JAMES BAGSHAW (UNIVERSITY OF HULL, UK) (ABSTRACT)

DEVELOPING EFFECTIVE SPATIAL STRATEGIES AND METHODOLOGIES FOR THE PRODUCTION OF AMBISONIC MUSIC

JOSEPH COUGHLAN-ALLEN (UNIVERSITY OF LIVERPOOL, UK) (ABSTRACT)

GENERATING BUZZ: ELECTRICAL NOISE IN RECORDED MUSIC

PETER ELSDON (UNIVERSITY OF HULL, UK) (ABSTRACT)

FEAR OF A BLANK PLANET: TECHNOLOGY AND ALIENATION IN THE MUSIC OF STEVEN WILSON

MIKE EXARCHOS (UNIVERSITY OF WEST LONDON, UK) (ABSTRACT)

SAMPLE-BASED HIP HOP AS METAMODERN PHONOGRAPHIC PRACTICE (OSCILLATING BETWEEN—AND BEYOND—ANALOGUE NOSTALGIA AND DIGITAL FUTURISM)

PAUL HARKINS (EDINBURGH NAPIER UNIVERSITY, UK) (ABSTRACT)

(DIS)LOCATING DIGITALISATION: GRIME, DEMOCRATISATION, AND ‘THE PLAYSTATION GENERATION’

JAN HERBST (UNIVERSITY OF HUDDERSFIELD, UK) (ABSTRACT)

KEEPER OF THE SEVEN KEYS: RECORD PRODUCERS’ PRACTICES OF PRESERVING GERMAN METAL

MARK HIGGINS (UNIVERSITY OF BRISTOL, UK) (ABSTRACT)

LONDON TALKING: DUBSTEP’S TECHNOLOGICAL MIGRATION OUT OF THE CITY

DAVID KERR (UNIVERSITY OF BIRMINGHAM, UK) (ABSTRACT)

PLAYING WITH SPACE AND TIME: STREET SONICS AND ELECTRONIC MUSIC PRODUCTION IN DAR ES SALAAM

KARLYN KING (UNIVERSITY OF BIRMINGHAM, UK) (ABSTRACT)

AUTHENTICITY: DOES THE MEDIUM OF MUSIC MATTER?

JO LORD (UNIVERSITY OF WEST LONDON, UK) (ABSTRACT)

REDEFINING THE SPATIAL STAGE – RESTAGING THE VOICE

TOBY SEAY (DREXEL UNIVERSITY, USA), DANIEL PRATT (UNIVERSITY OF WEST LONDON, UK) (ABSTRACT)

THE RECORD PRODUCER AS A NEXUS FACILITATOR: UNDERSTANDING NEW SPACES AND NEW MUSICAL CONVERSATION

TOBY SEAY (DREXEL UNIVERSITY, USA), DANIEL PRATT (UNIVERSITY OF WEST LONDON, UK) and LACHLAN GOOLD (UNIVERSITY OF THE SUNSHINE COAST, AUSTRALIA) (ABSTRACT)

TIME, PLACE, AND REFLEXIVITY: THE RECORDING SPACE AS AN INSTRUMENT

RUPERT TILL (UNIVERSITY OF HUDDERSFIELD, UK) (ABSTRACT)

SYNCRETIC ELECTRONICA

Panel: AFTER PARTICIPATION? ONLINE MUSICAL CULTURES TODAY [Abstracts]

Sam de Boise, Senior Lecturer, School of Music, Theatre, and Art, Örebro University

Áine Mangaoang, Postdoctoral Research Fellow, Department of Musicology, University of Oslo

Ellis Jones, Postdoctoral Research Fellow, RITMO Centre, University of Oslo