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IASPM UK & Ireland
IASPM UK & Ireland
Online Conference 19th May - 31st July 2020
  • Information
  • Registration
  • Closing Session: How Was It for You?
  • Conference Sessions
    • Session 1: Multiculturalism and Diaspora
    • Session 2: The Virtuoso and the Dilettante – Performing Popular Music
    • Session 3: Analysing Popular Music
    • Session 4: Anti-Establishment, Rebellion and Commerce
    • Session 5: Theme: Pedagogies of Popular Music Practice
    • Session 6: Theme: Identity and Theatricality
    • Session 7: Theme: Geographies of Popular Music and Transculturalism
    • Session 8: Theme: The Industrial and Financial Mechanisms of Popular Music
    • Session 9: Theme: Live Music
    • Session 10: Theme: Music and Technology
  • FAQ

Category: Session 3: Analysing Popular Music

STEPHANIE NAISBETT (UNIVERSITY OF NEWCASTLE, UK)

June 2, 2020 IASPMadmin Leave a comment

Elvis are you out there?’: narrative voice and symbolism in Kate Bush’s ‘King of the Mountain’ Abstract After more than…

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Posted in: Session 3: Analysing Popular Music

KJELL ANDREAS ODDEKALV (UNIVERSITY OF OSLO, NORWAY)

Kjell Andreas Oddekalv 4 Comments

Metre meets metre – how do we hear, analyse and listen to rap flows? Abstract: In rap music, there is…

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Posted in: Session 3: Analysing Popular Music

Maria Perevedentseva (Goldsmiths College, University of London, UK)

Maria Perevedentseva 7 Comments

BOOM-DISC: Analysing Genre-Specific Discursive Tropes in Electronic Dance Music on Boomkat.com Abstract: This paper presents a mixed-methods discourse analysis of…

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Posted in: Session 3: Analysing Popular Music

NASSOS POLYZOIDIS (BATH SPA UNIVERSITY, UK)

Nassos Polyzoidis Leave a comment

Rebetiko and blues: from Yiorgos Batis’s ‘O Boufetzis’ (1935) to Georges Pilali’s ‘Teketzis’ (1994) Abstract: Yiorgos Batis was a rebetiko…

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ANGHARAD THOMAS (UNIVERSITY OF OXFORD, UK)

Anna Thomas 4 Comments

An Ethnographic Approach To Analysing Vocal Production In UK Contemporary Popular Music Audio examples here: https://drive.google.com/drive/folders/1LRGyNoHQHhmACgE7N4WhHEj63gnnCjmX?usp=sharing Abstract This paper develops an innovative…

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ALAN STANBRIDGE (UNIVERSITY OF TORONTO, CANADA)

Alan Stanbridge 3 Comments

From Singing Cowboys to Kitchen Appliances: The Long Strange Trip of ‘You Are My Sunshine’ Abstract: ‘You Are My Sunshine’…

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EDDIE ASHWORTH (OHIO UINVERSITY, USA)

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The Psychedelic Menagerie of Robyn Hitchcock Abstract Robyn Hitchcock is one of popular music’s most enduring artists. With a career…

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ZACH DIAZ (UNIVERSITY OF BRISTOL, UK)

Zachary Diaz 4 Comments

“It’s Fan-Tas-Tic”: New Approaches to Interpreting Un-Quantized Rhythmic Elements of Hip-Hop Production in the “Post-Dilla” Era Abstract:The late James DeWitt…

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BLÁITHÍN DUGGAN (Trinity College Dublin, Ireland)

Blaithin Duggan Leave a comment

‘Something in the way [they sing]’ Paralanguage and The Beatles Abstract This paper identifies and analyses paralinguistic intonation in popular…

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Posted in: Session 3: Analysing Popular Music

MAGDALENA FUERNKRANTZ (Universität für Musik und darstellende Kunst Wien, Austria)

Magdalena Fuernkranz Leave a comment

Analysing the Pop Persona. An Exploration of a New Interdisciplinary Approach to the Analysis of Popular Music as Performance Abstract: Performative…

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