Skip to content
IASPM UK & Ireland
IASPM UK & Ireland
Online Conference 19th May - 31st July 2020
  • Information
  • Registration
  • Closing Session: How Was It for You?
  • Conference Sessions
    • Session 1: Multiculturalism and Diaspora
    • Session 2: The Virtuoso and the Dilettante – Performing Popular Music
    • Session 3: Analysing Popular Music
    • Session 4: Anti-Establishment, Rebellion and Commerce
    • Session 5: Theme: Pedagogies of Popular Music Practice
    • Session 6: Theme: Identity and Theatricality
    • Session 7: Theme: Geographies of Popular Music and Transculturalism
    • Session 8: Theme: The Industrial and Financial Mechanisms of Popular Music
    • Session 9: Theme: Live Music
    • Session 10: Theme: Music and Technology
  • FAQ

Category: Session 3: Analysing Popular Music

ALAN STANBRIDGE (UNIVERSITY OF TORONTO, CANADA)

June 2, 2020 Alan Stanbridge 3 Comments

From Singing Cowboys to Kitchen Appliances: The Long Strange Trip of ‘You Are My Sunshine’ Abstract: ‘You Are My Sunshine’…

Continue Reading →

Posted in: Session 3: Analysing Popular Music

EDDIE ASHWORTH (OHIO UINVERSITY, USA)

Eddie Ashworth Leave a comment

The Psychedelic Menagerie of Robyn Hitchcock Abstract Robyn Hitchcock is one of popular music’s most enduring artists. With a career…

Continue Reading →

Posted in: Session 3: Analysing Popular Music

ZACH DIAZ (UNIVERSITY OF BRISTOL, UK)

Zachary Diaz 4 Comments

“It’s Fan-Tas-Tic”: New Approaches to Interpreting Un-Quantized Rhythmic Elements of Hip-Hop Production in the “Post-Dilla” Era Abstract:The late James DeWitt…

Continue Reading →

Posted in: Session 3: Analysing Popular Music

BLÁITHÍN DUGGAN (Trinity College Dublin, Ireland)

Blaithin Duggan Leave a comment

‘Something in the way [they sing]’ Paralanguage and The Beatles Abstract This paper identifies and analyses paralinguistic intonation in popular…

Continue Reading →

Posted in: Session 3: Analysing Popular Music

MAGDALENA FUERNKRANTZ (Universität für Musik und darstellende Kunst Wien, Austria)

Magdalena Fuernkranz Leave a comment

Analysing the Pop Persona. An Exploration of a New Interdisciplinary Approach to the Analysis of Popular Music as Performance Abstract: Performative…

Continue Reading →

Posted in: Session 3: Analysing Popular Music

MIMI HADDON (UNIVERSITY OF SUSSEX, UK)

Mimi Haddon Leave a comment

Matrices of “Love and Theft”: Joan Baez, Bob Dylan, and Gendered and Racial Capital abstract The ideas for this paper…

Continue Reading →

Posted in: Session 3: Analysing Popular Music

FRED HOSKEN (NORTHWESTERN UNIVERSITY, USA)

Fred Hosken 1 Comment

Tight Verses and Loose Choruses: The Shaping of the Metric ‘Pocket’ Across Pop Forms Abstract: This paper analyses the construction…

Continue Reading →

Posted in: Session 3: Analysing Popular Music

SANGHEON LEE (GUSTAVE EIFFEL UNIVERSITY, FRANCE)

Sangheon Lee Leave a comment

Not Just an ‘Extra-musical’ Scandal: A Musical Dialectic in and through the Sex Pistols’ Recordings Abstract: One of the first…

Continue Reading →

Posted in: Session 3: Analysing Popular Music

JOHN MCGRATH (UNIVERSITY OF SURREY, UK)

John McGrath Leave a comment

Laurie Anderson’s transmedia storytelling Abstract: This paper explores transmedia storytelling (Jenkins) in the work of Anderson, primarily focusing on the…

Continue Reading →

Posted in: Session 3: Analysing Popular Music

MATTIA MERLINI (Università degli Studi di Milano, Italy)

Mattia Merlini Leave a comment

Fertilising Deaths. Deconstructing Prog’s Death to Understand Post-Prog Abstract: Progressive rock has always been seen as a mainly British phenomenon:…

Continue Reading →

Posted in: Session 3: Analysing Popular Music

Post navigation

Page 1 of 2
1 2 Next →
Privacy Policy
Copyright © 2025 IASPM UK & Ireland