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IASPM UK & Ireland
IASPM UK & Ireland
Online Conference 19th May - 31st July 2020
  • Information
  • Registration
  • Closing Session: How Was It for You?
  • Conference Sessions
    • Session 1: Multiculturalism and Diaspora
    • Session 2: The Virtuoso and the Dilettante – Performing Popular Music
    • Session 3: Analysing Popular Music
    • Session 4: Anti-Establishment, Rebellion and Commerce
    • Session 5: Theme: Pedagogies of Popular Music Practice
    • Session 6: Theme: Identity and Theatricality
    • Session 7: Theme: Geographies of Popular Music and Transculturalism
    • Session 8: Theme: The Industrial and Financial Mechanisms of Popular Music
    • Session 9: Theme: Live Music
    • Session 10: Theme: Music and Technology
  • FAQ

Author: Daniel Pratt

TOBY SEAY (DREXEL UNIVERSITY, USA), DANIEL PRATT (UNIVERSITY OF WEST LONDON, UK)

July 21, 2020 Daniel Pratt Leave a comment

THE RECORD PRODUCER AS A NEXUS FACILITATOR: UNDERSTANDING NEW SPACES AND NEW MUSICAL CONVERSATION Abstract In this paper, we frame…

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Posted in: Session 10: Music and Technology

TOBY SEAY (DREXEL UNIVERSITY, USA), DANIEL PRATT (UNIVERSITY OF WEST LONDON, UK) and LACHLAN GOOLD (UNIVERSITY OF THE SUNSHINE COAST, AUSTRALIA)

Daniel Pratt Leave a comment

TIME, PLACE, AND REFLEXIVITY: THE RECORDING SPACE AS AN INSTRUMENT Abstract The recording engineer is an experienced actor in the…

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Posted in: Session 10: Music and Technology

DANIEL PRATT AND BEN BUSHELL (UNIVERSITY OF WEST LONDON, UK)

June 16, 2020 Daniel Pratt 2 Comments

INTRODUCING LONDON NOISE: REAL-TIME PEDAGOGICAL APPROACHES TO UNIVERSITY RECORD LABELS Abstract University record labels (URL) are a popular vehicle for…

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Posted in: Session 5: Pedagogies of Popular Music Practice
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