Skip to content
IASPM UK & Ireland
IASPM UK & Ireland
Online Conference 19th May - 31st July 2020
  • Information
  • Registration
  • Closing Session: How Was It for You?
  • Conference Sessions
    • Session 1: Multiculturalism and Diaspora
    • Session 2: The Virtuoso and the Dilettante – Performing Popular Music
    • Session 3: Analysing Popular Music
    • Session 4: Anti-Establishment, Rebellion and Commerce
    • Session 5: Theme: Pedagogies of Popular Music Practice
    • Session 6: Theme: Identity and Theatricality
    • Session 7: Theme: Geographies of Popular Music and Transculturalism
    • Session 8: Theme: The Industrial and Financial Mechanisms of Popular Music
    • Session 9: Theme: Live Music
    • Session 10: Theme: Music and Technology
  • FAQ

Category: Session 3: Analysing Popular Music

STEPHANIE NAISBETT (UNIVERSITY OF NEWCASTLE, UK)

June 2, 2020 IASPMadmin Leave a comment

Elvis are you out there?’: narrative voice and symbolism in Kate Bush’s ‘King of the Mountain’ Abstract After more than…

Continue Reading →

Posted in: Session 3: Analysing Popular Music

KJELL ANDREAS ODDEKALV (UNIVERSITY OF OSLO, NORWAY)

Kjell Andreas Oddekalv 4 Comments

Metre meets metre – how do we hear, analyse and listen to rap flows? Abstract: In rap music, there is…

Continue Reading →

Posted in: Session 3: Analysing Popular Music

Maria Perevedentseva (Goldsmiths College, University of London, UK)

Maria Perevedentseva 7 Comments

BOOM-DISC: Analysing Genre-Specific Discursive Tropes in Electronic Dance Music on Boomkat.com Abstract: This paper presents a mixed-methods discourse analysis of…

Continue Reading →

Posted in: Session 3: Analysing Popular Music

NASSOS POLYZOIDIS (BATH SPA UNIVERSITY, UK)

Nassos Polyzoidis Leave a comment

Rebetiko and blues: from Yiorgos Batis’s ‘O Boufetzis’ (1935) to Georges Pilali’s ‘Teketzis’ (1994) Abstract: Yiorgos Batis was a rebetiko…

Continue Reading →

Posted in: Session 3: Analysing Popular Music

ANGHARAD THOMAS (UNIVERSITY OF OXFORD, UK)

Anna Thomas 4 Comments

An Ethnographic Approach To Analysing Vocal Production In UK Contemporary Popular Music Audio examples here: https://drive.google.com/drive/folders/1LRGyNoHQHhmACgE7N4WhHEj63gnnCjmX?usp=sharing Abstract This paper develops an innovative…

Continue Reading →

Posted in: Session 3: Analysing Popular Music

Post navigation

Page 2 of 2
← Previous 1 2
Privacy Policy
Copyright © 2025 IASPM UK & Ireland