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IASPM UK & Ireland
IASPM UK & Ireland
Online Conference 19th May - 31st July 2020
  • Information
  • Registration
  • Closing Session: How Was It for You?
  • Conference Sessions
    • Session 1: Multiculturalism and Diaspora
    • Session 2: The Virtuoso and the Dilettante – Performing Popular Music
    • Session 3: Analysing Popular Music
    • Session 4: Anti-Establishment, Rebellion and Commerce
    • Session 5: Theme: Pedagogies of Popular Music Practice
    • Session 6: Theme: Identity and Theatricality
    • Session 7: Theme: Geographies of Popular Music and Transculturalism
    • Session 8: Theme: The Industrial and Financial Mechanisms of Popular Music
    • Session 9: Theme: Live Music
    • Session 10: Theme: Music and Technology
  • FAQ

Category: Session 10: Music and Technology

MARK HIGGINS (UNIVERSITY OF BRISTOL, UK)

July 21, 2020 Mark Higgins 3 Comments

LONDON TALKING: DUBSTEP’S TECHNOLOGICAL MIGRATION OUT OF THE CITY Abstract Dubstep music first took shape in South London as part…

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Posted in: Session 10: Music and Technology

DAVID KERR (UNIVERSITY OF BIRMINGHAM, UK)

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PLAYING WITH SPACE AND TIME: STREET SONICS AND ELECTRONIC MUSIC PRODUCTION IN DAR ES SALAAM Abstract This paper explores the…

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Posted in: Session 10: Music and Technology

KARLYN KING (UNIVERSITY OF BIRMINGHAM, UK)

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AUTHENTICITY: DOES THE MEDIUM OF MUSIC MATTER? Abstract: In a multi format era, where music consumers are listening to music…

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Posted in: Session 10: Music and Technology

JO LORD (UNIVERSITY OF WEST LONDON, UK)

Jo Lord Leave a comment

REDEFINING THE SPATIAL STAGE – RESTAGING THE VOICE Abstract: Taken from the larger PhD research paper, ‘The Phenomenal Rise of…

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Posted in: Session 10: Music and Technology

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