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IASPM UK & Ireland
IASPM UK & Ireland
Online Conference 19th May - 31st July 2020
  • Information
  • Registration
  • Closing Session: How Was It for You?
  • Conference Sessions
    • Session 1: Multiculturalism and Diaspora
    • Session 2: The Virtuoso and the Dilettante – Performing Popular Music
    • Session 3: Analysing Popular Music
    • Session 4: Anti-Establishment, Rebellion and Commerce
    • Session 5: Theme: Pedagogies of Popular Music Practice
    • Session 6: Theme: Identity and Theatricality
    • Session 7: Theme: Geographies of Popular Music and Transculturalism
    • Session 8: Theme: The Industrial and Financial Mechanisms of Popular Music
    • Session 9: Theme: Live Music
    • Session 10: Theme: Music and Technology
  • FAQ

Category: Session 10: Music and Technology

JOSEPH COUGHLAN-ALLEN (UNIVERSITY OF LIVERPOOL, UK)

July 21, 2020 Joseph Coughlan-Allen Leave a comment

GENERATING BUZZ: ELECTRICAL NOISE IN RECORDED MUSIC Abstract Hum. Buzz. Hiss. The almost unavoidable electrical noises commonly encountered in everyday…

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Posted in: Session 10: Music and Technology

PETER ELSDON (UNIVERSITY OF HULL, UK)

Peter Elsdon 2 Comments

FEAR OF A BLANK PLANET: TECHNOLOGY AND ALIENATION IN THE MUSIC OF STEVEN WILSON Abstract On the inside cover to…

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Posted in: Session 10: Music and Technology

MIKE EXARCHOS (UNIVERSITY OF WEST LONDON, UK)

Michail Exarchos Leave a comment

SAMPLE-BASED HIP HOP AS METAMODERN PHONOGRAPHIC PRACTICE (OSCILLATING BETWEEN—AND BEYOND—ANALOGUE NOSTALGIA AND DIGITAL FUTURISM) Abstract Live Hip Hop was born out…

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Posted in: Session 10: Music and Technology

PAUL HARKINS (EDINBURGH NAPIER UNIVERSITY, UK)

Paul Harkins Leave a comment

(DIS)LOCATING DIGITALISATION: GRIME, DEMOCRATISATION, AND ‘THE PLAYSTATION GENERATION’ Abstract For many commentators over the last two decades, digitisation represents nothing…

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Posted in: Session 10: Music and Technology

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