FEAR OF A BLANK PLANET: TECHNOLOGY AND ALIENATION IN THE MUSIC OF STEVEN WILSON Abstract On the inside cover to…
SAMPLE-BASED HIP HOP AS METAMODERN PHONOGRAPHIC PRACTICE (OSCILLATING BETWEEN—AND BEYOND—ANALOGUE NOSTALGIA AND DIGITAL FUTURISM) Abstract Live Hip Hop was born out…
(DIS)LOCATING DIGITALISATION: GRIME, DEMOCRATISATION, AND ‘THE PLAYSTATION GENERATION’ Abstract For many commentators over the last two decades, digitisation represents nothing…
KEEPER OF THE SEVEN KEYS: RECORD PRODUCERS’ PRACTICES OF PRESERVING GERMAN METAL Abstract Issues around heritage and preservation of musical…