SYNCRETIC ELECTRONICA Abstract One of the grand challenges of the contemporary era is how to reduce friction between Islamic and…
(DIS)LOCATING DIGITALISATION: GRIME, DEMOCRATISATION, AND ‘THE PLAYSTATION GENERATION’ Abstract For many commentators over the last two decades, digitisation represents nothing…
KEEPER OF THE SEVEN KEYS: RECORD PRODUCERS’ PRACTICES OF PRESERVING GERMAN METAL Abstract Issues around heritage and preservation of musical…
LONDON TALKING: DUBSTEP’S TECHNOLOGICAL MIGRATION OUT OF THE CITY Abstract Dubstep music first took shape in South London as part…
PLAYING WITH SPACE AND TIME: STREET SONICS AND ELECTRONIC MUSIC PRODUCTION IN DAR ES SALAAM Abstract This paper explores the…
AUTHENTICITY: DOES THE MEDIUM OF MUSIC MATTER? Abstract: In a multi format era, where music consumers are listening to music…
REDEFINING THE SPATIAL STAGE – RESTAGING THE VOICE Abstract: Taken from the larger PhD research paper, ‘The Phenomenal Rise of…
THE RECORD PRODUCER AS A NEXUS FACILITATOR: UNDERSTANDING NEW SPACES AND NEW MUSICAL CONVERSATION Abstract In this paper, we frame…
TIME, PLACE, AND REFLEXIVITY: THE RECORDING SPACE AS AN INSTRUMENT Abstract The recording engineer is an experienced actor in the…
LONGER PLAY: THE ELONGATION OF PLAY AND EXPERIENCE IN SOUND AND MUSIC RECORDINGS Abstract This presentation is research for the…