SYNCRETIC ELECTRONICA Abstract One of the grand challenges of the contemporary era is how to reduce friction between Islamic and…
LONGER PLAY: THE ELONGATION OF PLAY AND EXPERIENCE IN SOUND AND MUSIC RECORDINGS Abstract This presentation is research for the…
DEVELOPING EFFECTIVE SPATIAL STRATEGIES AND METHODOLOGIES FOR THE PRODUCTION OF AMBISONIC MUSIC Abstract The spatial production domain of Higher Order…
GENERATING BUZZ: ELECTRICAL NOISE IN RECORDED MUSIC Abstract Hum. Buzz. Hiss. The almost unavoidable electrical noises commonly encountered in everyday…
FEAR OF A BLANK PLANET: TECHNOLOGY AND ALIENATION IN THE MUSIC OF STEVEN WILSON Abstract On the inside cover to…
SAMPLE-BASED HIP HOP AS METAMODERN PHONOGRAPHIC PRACTICE (OSCILLATING BETWEEN—AND BEYOND—ANALOGUE NOSTALGIA AND DIGITAL FUTURISM) Abstract Live Hip Hop was born out…
(DIS)LOCATING DIGITALISATION: GRIME, DEMOCRATISATION, AND ‘THE PLAYSTATION GENERATION’ Abstract For many commentators over the last two decades, digitisation represents nothing…
KEEPER OF THE SEVEN KEYS: RECORD PRODUCERS’ PRACTICES OF PRESERVING GERMAN METAL Abstract Issues around heritage and preservation of musical…
LONDON TALKING: DUBSTEP’S TECHNOLOGICAL MIGRATION OUT OF THE CITY Abstract Dubstep music first took shape in South London as part…
PLAYING WITH SPACE AND TIME: STREET SONICS AND ELECTRONIC MUSIC PRODUCTION IN DAR ES SALAAM Abstract This paper explores the…