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IASPM UK & Ireland
IASPM UK & Ireland
Online Conference 19th May - 31st July 2020
  • Information
  • Registration
  • Closing Session: How Was It for You?
  • Conference Sessions
    • Session 1: Multiculturalism and Diaspora
    • Session 2: The Virtuoso and the Dilettante – Performing Popular Music
    • Session 3: Analysing Popular Music
    • Session 4: Anti-Establishment, Rebellion and Commerce
    • Session 5: Theme: Pedagogies of Popular Music Practice
    • Session 6: Theme: Identity and Theatricality
    • Session 7: Theme: Geographies of Popular Music and Transculturalism
    • Session 8: Theme: The Industrial and Financial Mechanisms of Popular Music
    • Session 9: Theme: Live Music
    • Session 10: Theme: Music and Technology
  • FAQ

Author: Nassos Polyzoidis

NASSOS POLYZOIDIS (BATH SPA UNIVERSITY, UK)

June 2, 2020 Nassos Polyzoidis Leave a comment

Rebetiko and blues: from Yiorgos Batis’s ‘O Boufetzis’ (1935) to Georges Pilali’s ‘Teketzis’ (1994) Abstract: Yiorgos Batis was a rebetiko…

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Posted in: Session 3: Analysing Popular Music
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