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IASPM UK & Ireland
IASPM UK & Ireland
Online Conference 19th May - 31st July 2020
  • Information
  • Registration
  • Closing Session: How Was It for You?
  • Conference Sessions
    • Session 1: Multiculturalism and Diaspora
    • Session 2: The Virtuoso and the Dilettante – Performing Popular Music
    • Session 3: Analysing Popular Music
    • Session 4: Anti-Establishment, Rebellion and Commerce
    • Session 5: Theme: Pedagogies of Popular Music Practice
    • Session 6: Theme: Identity and Theatricality
    • Session 7: Theme: Geographies of Popular Music and Transculturalism
    • Session 8: Theme: The Industrial and Financial Mechanisms of Popular Music
    • Session 9: Theme: Live Music
    • Session 10: Theme: Music and Technology
  • FAQ

Category: Session 7: Geographies of Popular Music and Transculturalism

ANTHONY MEYNELL (UNIVERSITY OF WEST LONDON, UK)

June 30, 2020 Anthony Meynell Leave a comment

FROM WEST LONDON TO THE WORLD, THE BRITISH MOD PHENOMENON Abstract 2019 witnessed the 40th anniversary of the 1979 Mod…

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Posted in: Session 7: Geographies of Popular Music and Transculturalism

TORE STORVOLD (UNIVERSITY OF OSLO, NORWAY)

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NORDIC NOIR TELEVISION MUSIC: TOURISM AND NATIONAL ASPIRATIONS IN TRAPPED (2016) Abstract This paper centers on the Icelandic television crime…

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Posted in: Session 7: Geographies of Popular Music and Transculturalism

Jaime Jones (University College Dublin)

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Assembling the Underground: Scale, Value, and Visibility in Dublin’s DIY Music Scene Abstract: The underground music scene in Dublin that…

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Posted in: Session 7: Geographies of Popular Music and Transculturalism

John O’Flynn (Dublin City University)

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‘Dominant Others’? The Other Voices Festival and Associated Media Productions Abstract Other Voices (OV) is a niche festival and associated…

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Posted in: Session 7: Geographies of Popular Music and Transculturalism

Lonán Ó Briain (University of Nottingham)

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Broadcasting Rock: The Fanning Sessions As A Gateway To New Music Abstract Shortly after the partition of Ireland in 1921,…

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Posted in: Session 7: Geographies of Popular Music and Transculturalism

ANDREW GREEN (UNIVERSITY OF GLASGOW, UK)

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BEYOND THE CREW: HIP-HOP AND PROFESSIONALIZATION IN MEXICO CITY Abstract The concept of profesionalización – professionalization – has become increasingly…

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Posted in: Session 7: Geographies of Popular Music and Transculturalism

CASPAR MELVILLE (SOAS, UNIVERSITY OF LONDON, UK)

Caspar Melville 1 Comment

WHAT’S A LONDON THING? RACE, SPACE AND BASS IN THE CITY Abstract This talk will take a historical look at…

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Posted in: Session 7: Geographies of Popular Music and Transculturalism

MICHAEL MURPHY (DUN LAOGHAIRE INSTITUTE OF ART, DESIGN AND TECHNOLOGY, REPUBLIC OF IRELAND)

Michael Murphy Leave a comment

HOW IRELAND PRODUCED POP: EXAMINING HOW A SMALL COUNTRY COMPETED GLOBALLY Abstract How do Irish acts get heard within an…

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Posted in: Session 7: Geographies of Popular Music and Transculturalism

ABIGAIL GARDNER (UNIVERSITY OF GLOUCESTERSHIRE, UK)

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MAPPING THE MUSIC OF MIGRATION Abstract When we talk about music, we talk about ourselves. When our selves are in…

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J MARK PERCIVAL (QUEEN MARGARET UNIVERSITY, UK)

June 9, 2020 J Mark Percival Leave a comment

Trick of the Tale: Pub rock, punk, genre and myth in London and Glasgow in the 1970s Abstract This paper…

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Posted in: Session 7: Geographies of Popular Music and Transculturalism
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